John Reyer Afamasaga's SKIHI PR

"The Guy" by John Reyer Afamasaga

April's Fool by John Reyer Afamasaga

Live "STORYBOOK" by John Reyer Afamasaga


   
 


Their METHODS BY John Lazoo, Metofeaz Litigatti, Jon Le Mac & John Reyer Afamasaga

4Si
Conceptualization to Capitalization
C-LINE-C

etfiction Character & Story Development basics


The 4 Sided Idea by John Reyer Afamasaga & John Lazoo

Side 1: It is SIMPLE

Side 2: It is a STORY or it can be a story

Side 3: It looks different to many people from many angles

Side 4: It will be responsible for many rewarding relationships and ultimately it will bring: LOVE, TRUST, HONESTY & RESPECT.

Conceptualization to Capitalization by John Reyer Afamasaga & Jon Le Mac

1: Conceptualization – Give the idea its 4 Sides: Simple, Story, Multi dimensional & Rewarding

2: Visualization – See the idea in everyday life. Then see it in its own unique world. Locate anchorage midway from opposite ends, and then draw parallels whilst recording the ones which leave a lasting taste.

3: Realization – Create the work remembering the way it feels as you do. Play to your maximum ability and fear only your capacity to beat yourself.

4: Capitalization – Be realistic when dealing with money, be respectful of other people's time and thoughts. Their feelings are their own. Try to step lightly when stepping on toes.

The Rules by John Reyer Afamasaga, Lazoo and Le Mac

Stretch the Concept

Personally I like to blow the thing apart and then piece by piece put it back together like a jigsaw puzzle. Lazoo taught me that you cannot always find the pieces scattered upon Hariss Clariss's mosaic floor. So yeah, Le Mac pulls it from one end splitting the already portioned lots, while Lazoo anchors it and crafts the details in four letter words and adjectives not even recorded when William was high and mighty.

Locate Pressure Points: places where only reality can be conceived by the audience.

In every dream there comes a time where the reality is so close to insides of the dream that you wake from it, “damn it’s over”. This is a pressure point, the dream has come down and you can smell the stuffiness of the room and not the fragrance of flowers. When a pressure point is where you are at, do not try and restart the dream or recreate a new dream. Simply get up, have a coffee, start your day and know that tonight, you will dream again.

Find a path that Links to the next Pressure Point safely and realistically 

Remember the dream even if you have forgotten it. Go through your day believing the dream. Your actions and interactions are all part of the next installment of your dream. At night as soon as you are ready, do it again.

Fill the gaps with the most mundane day to day boring occurrences, add some music, high heels, skin and love.

Do not waste your energy with creating the unbelievable in the process of trying to make the “unbelievable” reachable. Reach the unbelievable using the believable.

Method: Dream. Believe. Write. Dream. Believe. Write...

C-LINE-C (Conceptualization- Capitalization): afamasaga.net Application Development Method

John Reyer C-Line-C App Dev Model

C-LINE-C Application Development Method is a Linear, step by step development cycle, in which some steps may be quickened, or skipped if the current step rolls onto one further on in the process due to time, money, or resource constraints, or at the client’s request.

Conceptualization

  • Idea is processed through The 4Sided Idea (4SI) creating a Concept
  • Fiscal Study confirms the concept as Financially Feasible

Visualization

  • Function and Form Feasibility Study confirms the Concept can be designed
  • Spec Design produces Technical and Design plans for Network Architecture and coding respectively.

Realization

  • Coding phases begin on modules
  • Implementation, testing and Release

Capitalization

  • Marketing - SEO
  • Canvassing Partners

etfiction Character & Story Development basics

etfiction Foundation:

etfiction is a conceptual framework designed from the basic elements of a story, to give a new writer a structure within to create, thus giving them the confidence to write the body of work. The three key elements of etfiction’s Foundation are:

  • Lead Characters
  • The premise
  • The goals and aspirations of the Lead characters.

etfiction Fundamentals:

The fundamentals of etfiction are the immovable objects which maybe used to stimulate the new writer’s mind to fill in the body of work, once a foundation exists:

4SI:

Or, the 4 Sided Idea suggests another framework is constructed to discipline the writer’s ideas. This is so they may be conceptualized, visualized and then realized within a trait of a character, or thread of the story. These four criteria were designed to keep the concept within a box. 4SI ends in etfiction’s motto, or maxim axiom LOVE, TRUST, HONESTY & RESPECT, which are the aspirations of the Lead Character – John Lazoo. A writer’s motto can be their own. Remember the 4 sides to this control device formulate for the writer the message they transmit throughout all stories in the end to end saga.

Side 1: It is SIMPLE

Side 2: It is a STORY or it can be a story

Side 3: It looks different to many people from many angles

Side 4: It will be responsible for many rewarding relationships and ultimately it will bring: LOVE, TRUST, HONESTY & RESPECT.

Transmutation:

Means change. Specific to etfiction; it is a process of changing, from one form, nature, or state to another.

Roberto Assagioli founder of Psychosynthesis defined the changes in a person’s development in terms of a mutation. etfiction’s creator going through their self development read Assagioli’s work and credits him along with Freud as being responsible for giving him the blueprint for his method for moving his story.

While other styles maybe driven by the plot or character stories, etfiction is driven by the change in the character. The way the story line progresses is less obvious and hopefully an innate experience to the reader, as it is intrinsic to the character. The changes are only seen through their actions over a long period of time. The reaction to those actions are relayed to the reader, only in the end can we see the results of the change.

This etfiction fundamental and the next one are critical to the way the stories are delivered.

Le Mac’s Action Sequencing

Jon Le Mac is the creator’s imaginary friend, who he ends up meeting. Le Mac is a film school drop out. He is a laid back character, who has seen his fair share of action on the streets he grew up on. This may be the reason why he finds pleasure in watching the simpler things in life. Though it may seem mundane, Le Mac can dramatize any scene through his eyes that have witnessed real life drama.

It is from Jon Le Mac’s Angles and in John Reyer Afamasaga’s Voice which LMLA-ink tells their story.

Linguistic Rhythm Patterning (L_RHYTHM_patterning) – LRP

Metofeaz Litigatti, the writer whose work was first spotted on the walls of New York City and then on the skin of some women; has passion which had to be tamed. Instead of instructing the whimsical one, on how to do what comes naturally. The creator found a pattern in his writing which he massages into the Artificial Language of etfiction.

 

 

Classifieds

Saturday May 18th, 1996

Contact: execproducer@afamasaga.net

WHAREHOUSE REQUIRED
Large space required in Manhattan or close to airport for construction of movie sets.
ACTOR WANTED
Male between 21-31 years of age to do reenactments in Docudrama about the new American dream.
ACTOR WANTED
Female between 18-26 years of age to do reenactments in Docudrama about the new American dream.
FINANCIER WANTED $500,000.00 Minimum
Instant Producer Title in Docudrama about the new American dream. Global distribution deal already stitched with major media group.
WRITER WANTED
A distinct voice is sought. One that is neither angry nor content with the state of affairs, but sees the irony in the degeneration of the core to the portable, fast and reusable generations post World War II and the deterioration of the planet on which we now only just exist.
MOVIE EXTRAS WANTED
Extras of all ages required to be vital background for reenactments in Docudrama about the new American dream. Backpackers welcome, healthy hourly rate and nourishment provided.
EX CONVICT ACTORS WANTED
Actors with a past required for interviews in Docudrama about the new American dream. Please bring Newspaper clippings, court documents and police records.

 
   
 

 

 
   
   
   
     
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